But how much is too much, and how do you tell? If you know me, you know I’m all about referencing. Really, lesson one is not using too much reverb. Use reverb to put the sound into a space: as near or far, big or small as you want. When in doubt, remember this: use delay to keep your source present and up-front. You must know when to use delay instead of reverb.
We’ll cover all of that below.īefore we go too deep into this, I’ll share one of the fundamental secrets for creating space in your productions. You must also have the right tools, and know when to use them. Just like anything within music production, knowing the principles isn’t enough.
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I’ve put together a comprehensive guide for how to use reverb like a professional. In fact, a lack of reverb is highly unsettling and extremely unnatural. We only become aware of it when the size of the space is so large the reverberation lingers longer than we’re used to experiencing, like a parking garage, amphitheater, canyon, or cavern. This happens every day of our lives.Įvery space we’ve ever been in has a natural reverberation of sound waves. My brain doesn’t hear it consciously, but my primal sense is stitching those signals together at lightspeed to create an auditory map of the environment.
Absorbed and further reflected by the guitar, couch, and surfaces within the room. The click of my fingers on this keyboard are bounced off the wall behind me. In fact, it’s crucial to our lives.Īll around us are sound waves, at all times. Learning how to use reverb is absolutely essential to your music.
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